Fiorentina

USA/Italy

These notes ©2018, Andrew Carnie. I've been unable to dig up any information on who choreographed this dance. I think it's an American choreograph, but I am not sure The song is a popular Italian folk song

Music:
I have been unable to find the recording that Green Valley used in the video below. But there are several other versions of the song available on youtube and iTunes

• https://youtu.be/UCNOir2Sphc
• https://youtu.be/gpsDlwZ3OuY
• https://youtu.be/FFXpfn2Eih8
• https://youtu.be/FFPRM-5bFBg

Meter: 4/4
Formation: Individuals scattered around the room. This is a country western line dance.
Introduction: Wait through the instrumental introduction and then 3 up beats of the singing.

Bar 1: Touch R toe forward (1), Step on R next to L (2), Touch L toe forward (3), Step on L next to R (4)
Bar 2: Repeat bar 1
Bar 3: Step on R to R (1), Step on L behind R (2), Step on R to R (3), Step on L next to R (&), Step on R in place (4)
Bar 4: Repeat bar 3, with opposite footwork and direction
Bar 5: Traveling straight forward, Step R (1), L (&), R (2) and L (3), R (&), L (4)
Bar 6: Repeat bar 5 still moving forward
Bar 7: Pulling R shoulder back, make a complete CW turn in place, stepping R (1), L (2), R (3), L (4)
Bar 8: Backing up, step R (1), L (2), R (3), L (4)

repeat until the end of the music

Green Valley Arizona Video

Cumbia Tempested

USA/Venezuela

These notes ©2018, Andrew Carnie. Choreographed and taught by Ira Weisburd.

Music: Pastor López "Tempested"; also can be done to Despacito by Luis Fonsi
Meter: 2/4
Formation: Solo. (4 wall US line dance)
Introduction: start with singing

Bar 1: Rock forward on L (1), Rock back on R (&), Step on L next to R (2) (Mambo forward)
Bar 2: Rock backwards on R (1), Rock forward on L (&), Step on R next to L (2) (Mambo back)
Bars 3-4: repeat bars 1-2 (Mambo forwards and back)
Bar 5: Rock to L on L (1), Step on R in place (&), Step on L next to R (2) (Mambo L)
Bar 6: Rock to R on R (1), Step on L in place (&) Step on R next to L (2) (Mambo R)
Bars 7-8: repeat bars 5-6 (Mambo L and R)
Bar 9: Cross L over R (1), Step on R to R (&), Cross L over R (2), Step R to R (&) (Samba/Voltas R)
Bar 10: Cross L over R (1), Step on R to R (&), Cross L over R (2), (Samba/)
Bar 11: Cross R over L (1), Step on L to L (&), Step R back in place (2) (Sailor/Bota Foga)
Bar 12: Cross L over R (1), Step on R to R (&), Step on L back in place (2)(Sailor/Bota Foga)
Bars 13-16: repeat bars 9-12, with opposite footwork and direction, except on last count (a step on the R), make a 1/4 turn CW to face new wall.

repeat until the end of the music

Other videos on the web

Other sources

• Weisburd, Ira (n.d.) Electronic Cue sheet

Pot of Gold (Hrycan Version)

Pota Óir

USA/Ireland

These notes ©2018, Andrew Carnie. There are a number of line dances choreographed to this music. See the "see also" section below. This is the version choreographed by Liam Hrycan and is the most widely done version in the line dance community. See the links below for Mr. Hrycan's step sheet.

Music:

Tokyo Polka/Ievan Polkka

USA/Finland/Japan

These notes ©2018, Andrew Carnie

Choreographed by Richard Powers to a Japanese re-recording of a traditional Finnish Polka. The dance fits the Japanese version by Hatsune Miku which uses nonsense syllables instead of the traditional Finnish words.

Music: Ievan Polkka,

The Japanese remastered music used by Powers, which uses Japanese nonsense syllables "Dap dap dap", rather than the traditional Finnish words by a "vocoloid" Hatsune Miku

• https://youtu.be/TXG3yICkJDA

• https://youtu.be/GiiCT3imk1c
• https://youtu.be/4om1rQKPijI
• https://youtu.be/1ygdAiDxKfI
• https://youtu.be/sx1vZJSDNHc
• https://youtu.be/uvygtD_2c_o
• https://youtu.be/VpAgslp8xew
• https://youtu.be/0i8VM_EooCs

Meter: 2/4
Formation: Solo dancers scattered around the room facing one wall.
Introduction: Start with singing.

Bar 1: Hop on R, touching L heel to diagonal L (1), Hop on R, touching L toe next to R instep.
Bar 2: Hop on R (&) Step L to diagonal L forward (1), close R next to L (&), Step L to L diagonal L  (2),
Bars 3-4: Repeat bars 1-2 with opposite footwork and direction
Bar 5: Cross L foot over R, L arm crosses over body (1), Rock back on R in place (2)
Bars 6-7: Using two polka steps (hop (&) L (1), R (&), L (2), hop (&) R (1), L (&), L (2)) Make a complete CCW turn, pulling R shoulder back, and dancing back behind your current position in an arc.
Bar 8: Rock back on L behind R (1), Rock forward on L (2)
Bar 9: repeat bar 5
Bar 10: Repeat the footwork of Bar 2, but travel to the L side instead of diagonally
Bars 11-12: repeat bars 9-10 with opposite footwork and direction
Bars 13-14: Traveling forward, use the footwork of bars 6-7, but not turning, leading first with the L shoulder (bar 13) and then the R (bar14)
Bar 15: Step on L foot forward, pushing off to pull R shoulder back and turn CW, 1/2 way (1), Step on R in place (2)
Bar 16: Step on L foot forward, pushing off to pull R shoulder back and turn CW, this time only a 1/4 way (1), step on R in place (2). You end facing a new wall, which was the L hand wall the first time through the dance.

Repeat the dance facing the new wall, etc. until the end of the music

Other instructions on the web

• http://www.folkdancecamp.org/assets/Tokyo-Polka-2011SFDC.pdf
• http://socialdance.stanford.edu/Syllabi/Tokyo_Polka.pdf
• http://www.folkdance.com/LDNotations/TokyoPolka2012LD.pdf

Other videos on the web

Original Finnish Lyrics

http://lyrics.wikia.com/wiki/Loituma:Ievan_Polkka/en

Nuapurista kuulu se polokan tahti
jalakani pohjii kutkutti.
Ievan äiti se tyttöösä vahti
vaan kyllähän Ieva sen jutkutti,
sillä ei meitä silloin kiellot haittaa
kun myö tanssimme laiasta laitaan.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

Ievan suu oli vehnäsellä
ko immeiset onnee toevotti.
Peä oli märkänä jokaisella
ja viulu se vinku ja voevotti.
Ei tätä poikoo märkyys haittaa
sillon ko laskoo laiasta laitaan.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

Ievan äiti se kammarissa
virsiä veisata huijjuutti,
kun tämä poika naapurissa
ämmän tyttöä nuijjuutti.
Eikä tätä poikoo ämmät haittaa
sillon ko laskoo laiasta laitaan.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

Hilipati hilipati hilipati hillaa,
hilipati hilipati hilipampaa.
Jalituli jallaa talituli jallaa
tilitali tilitali tilitantaa.
Halituli jallaa tilituli tallaa
tilitili tilitili tilitili tallaa.
Halituli tilitali jallati jallan,
tilitali talitali helevantaa.

Rimpatirallaa ripirapirallaa
rumpatiruppa ripirampuu.
Jakkarittaa rippari lapalan
tulituli lallan tipiran tuu.
Jatsu tsappari dikkari dallan
tittari tillan titstan dullaa,
dipidapi dallaa ruppati rupiran
kurikan kukka ja kirikan kuu.
Ratsatsaa ja ripidabi dilla
beritstan dillan dellan doo.
A baribbattaa baribbariiba
ribiribi distan dellan doo.
Ja barillas dillan deia dooa
daba daba daba daba daba duvja vuu.
Baristal dillas dillan duu ba daga
daiga daida duu duu deiga dou.


Siellä oli lystiä soiton jäläkeen
sain minä kerran sytkyyttee.
Kottiin ko mäntii ni ämmä se riitelj
ja Ieva jo alako nyyhkyytteek.
Minä sanon Ievalle mitäpä se haittaa
laskemma vielähi laiasta laitaa.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

Muorille sanon jotta tukkee suusi
en ruppee sun terveyttäs takkoomaa.
Terveenä peäset ku korjoot luusi
ja määt siitä murjuus makkoomaa.
Ei tätä poikoo hellyys haittaa
ko akkoja huhkii laiasta laitaan.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

Sen minä sanon jotta purra pittää
ei mua niin voan nielasta.
Suat männä ite vaikka lännestä ittään
vaan minä en luovu Ievasta,
sillä ei tätä poikoo kainous haittaa
sillon ko tanssii laiasta laitaan.
Salivili hipput tupput täppyt
äppyt tipput hilijalleen.

The sound of a polka drifted from my neighbor's
and set my feet a-tapping oh!
Ieva's mother had her eye on her daughter but
Ieva she managed to fool her, you know.
'Cause who's going to listen to mother saying no
when we're all busy dancing to and fro!

Ieva was smiling, the fiddle it was wailing
as people crowded round to wish her luck.
Everyone was hot but it didn't seem to bother
the handsome young man, the dashing buck.
'Cause who's going to mind a drop of sweat
when he's all busy dancing to and fro!

Ieva's mother she shut herself away
in her own quiet room to hum a hymn.
Leaving our hero to have a spot of fun
in a neighbor's house when the lights are dim.
'Cause what does it matter what the old folks say
when you're all busy dancing to and fro!

When the music stopped then the real fun began
and that's when the laddie fooled around.
When he took her home, when the dancing was over
her mother angrily waiting they found.
But I said to her, Ieva, now don't you weep
and we'll soon be dancing to and fro!

I said to her mother now stop that noise
or I won't be responsible for what I do.
If you go quietly and stay in your room
you won't get hurt while your daughter I woo.
'Cause this fine laddie is a wild sort of guy
when he's all busy dancing to and fro!

One thing I tell you is you won't trap me,
no, you won't find me an easy catch.
Travel to the east and travel to the west but
Ieva and I are going to make a match.
'Cause this fine laddie ain't the bashful sort
when he's all busy dancing to and fro.

Japanese Nonsense Lyrics 

used in many of the recordings for the line dance:
from https://genius.com/Hatsune-miku-ievan-polkka-lyrics

Hra-tsa-tsa, ia ripi-dapi dilla barits tad dillan deh lando
Aba rippadta parip parii ba ribi, ribi, ribiriz den teahlando
La barillaz dillan deiallou ara va reve reve revydyv dyvjavuo
Bariz dah l'llavz dei lando dabaoke dagae gadae due due dei ia do
Hra-tsa-tsa, ia ripi-dapi dilla barits tad dillan deh lando
Aba rippadta parip parii ba ribi, ribi, ribiriz den teahlando
La barillaz dillan deiallou ara va reve reve revydyv dyvjavuo
Bariz dah l'llavz dei lando dabaoke dagae gadae due due dei ia do

Arattzattza ya ribiraririn raba rittan rindam denrandu
Waba rittatta parippari pariri ribiribi risutan denrandu
Yaba rindan tenran deiaroo waraba dubudubudubu deiebu
Ra rittan dinran denrandu tatatataduuduu deiabuu
Rattzattza ya ribiraririn raba rittan rindam denrandu
Waba rittatta parippari pariri ribiribi risutan denrandu
Yaba rindan tenran deiaroo waraba dubudubudubu deiebu
Ra rittan dinran denrandu tatatataduuduu deiabuu

Also called: Levan (it's an I not an L, but people seem to spell it with an L), Polka, Polkken, Ieva's, Eva's