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Showing posts with label Ira Weisburd. Show all posts
Showing posts with label Ira Weisburd. Show all posts

Friday, November 30, 2018

November 30, 2018

Dojdi Dojdi Libe Le (Weisburd Version) - Дойди Дойди Либе Ле (Bulgaria)

Dojdi Dojdi Libe Le (Weisburd Version)
Дойди Дойди Либе Ле
Bulgaria



These notes ©2018, Andrew Carnie. This is the version that was taught by Ira Weisburd. A different version was taught by Roberto Bagnoli and Lee Otterholt

Music:
Meter: 7/8 counted as QQS
Formation: Open circle, hands down in V position. Leads to the R
Introduction: Start with singing

Part 1: Singing

Bar 1: Step on R in LOD (QQ), Step on L in LOD (S)
Bar 2: Step R (Q), L (Q), R (S)  in LOD
Bar 3: Step L.(Q), R (Q), L (S) in LOD
Bars 4-6: Repeat bars 1-3
Bar 7: Facing center, sway on R to R (QQ), bounce on R (S)
Bar 8: Sway on L to L (QQ), bounce on L (S)
Bars 9-16: Repeat bars 1-8

Part 2: Instrumental

Bar 1: Facing slightly L of center, step R (Q), L heel (Q), R (S) in place (a Bulgarian pas-de-basque)
Bar 2: Repeat bar 1, with opposite footwork, facing slightly R of center.
Bars 3-4: Repeat bars 1-2
Bar 5: Cross R over L (QQ), Step on L to L (S)
Bar 6: Hop on L (Q), Step on R behind L (Q), Step on L to L (S)
Bar 7: Repeat bar 5
Bar 8: Turning to face LOD, but stepping backwards in RLOD, step R (QQ), and step forward in LOD on L (S)

(There appears to be a men's variant to part 2, with turns and squats -- see the second video below)

Other videos on the web




Lyrics

Dojdi, dojdi, libe le, doma na vechera.
Oh, libe le doma na vechera.
Libe, libe, libe le doma na vechera.
Vrzi konche, libe le, za vita kalina.
Ta se kachi, libe le, gore na chardaci
Ta da vidish, libe le, mama kak me gali.
Mene gali, libe le, tebe spomenuva.

Sheet Music

See also:

Also Spelled:Doydi
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Thursday, November 29, 2018

November 29, 2018

La Bordeiul cel din Vale (Romania)

La Bordeiul Cel Din Vale
Romania


These notes ©2018, Andrew Carnie. Taught and choreographed by Ira Weisburd. Also taught by Lee Otterholt. The song is a humorous ditty about a young man's experience with the girls and money at a local "hovel".

Music:
Meter: 2/4
Formation: Open circle, hands in W position. Leads to the R. Arms bounce gently on each count.
Introduction: 16 bars, start with singing

Part 1: Hora Mare 1

Bar 1: Stepping straight into the center, step R (1), L (2)
Bar 2: Stepping into the center step R (1), touch L next to R (2)
Bar 3: Backing straight out of center, Step L (1), R (2)
Bar 4: Backing straight out, Step L (1), touch R next to L (2)
Bar 5: On the R diagonal, step R (1), L (2) into the center
Bar 6: Continuing in on the R diagonal, Step R (1), touch L next to R
Bar 7: Backing out on the R diagonal Step L (1), R (2)
Bar 8: Continuing backing out step L (1), Touch R next to L (2)
Bars 9-12: repeat bars 5-8

Part 2: Step Scuffs

Bar 1: Cross R over L (1), Scuff L next to R (2),
Bar 2: Step on L in RLOD (1), Scuff R next to L (2)
Bar 3: Step on R across in front of L (1), Step on L to L (2)
Bar 4: Step on R behind L (1), Step on L to L (2)
Bars 5-8: repeat bars 1-4.
Bar 9: Cross R over L (1), Rock back on L (2)
Bar 10: Step on R to R (1), Cross L over R (2)

Part 3:  Walks (Box)

Bar 1: Walk R (1), L (2) in LOD
Bar 2: Repeat bar 1
Bar 3: Step R (1), L (2) into the center
Bar 4: Repeat bar 3
Bar 5: Cross R over L (1), Step on L to L (2)
Bar 6: Repeat bar 5
Bar 7: Step R (1), L (2), backing out of the center
Bar 8: Repeat bar 7

Part 4: Hora Mare 2

Bars 1-10: repeat bars 1-10 of Part 1, Hora Mare, except on the very last count, step on the L instead of touching it.

Part 5: Crossing (instrumental)

Bar 1: Cross R over L (1), Rock back in place on L (&), Step on R next to L (2), pause (&)
Bar 2: Repeat bar 1, with opposite footwork
Bar 3: Cross R over L (1), Rock back in place on L (&), Rock on R to R (2), Rock L in place (&)
Bar 4: Cross R over L (1), Rock back in place on L (&), Step on R next to L (2), pause (&)
Bars 5-8: Repeat bars 1-4 with opposite footwork

Parts 6-10: 

Repeat Parts 1-5 (Hora Mare 1, Scuffs, Box, Hora Mare 2, Crossing)

Parts 11-13

Repeat Parts 1-3 (Hora Mare 1, Scuffs, Box)

Part 14: (Box again)

Repeat Part 3 (Box) again 

Part 15: Hora Mare 1

Repeat Part 1 (Do the full 12 bars of the Hora Mare)

Part 16: Crossing

Repeat part 5

Other notes on the web

Other videos on the web













Lyrics

From: https://lyricstranslate.com/en/nicolae-gribincea-la-bordei-la-m%C4%83rioara-la-bordeiul-cel-din-vale-lyrics.html

La bordei la Mărioara (La bordeiul cel din vale)

Hăi! Hăi!
La bordeiul cel din vale
Mi-au mâncat fetele banii,
La bordeiul cel din vale
Mi-au mâncat fetele banii.
Lasă, lasă să-i mănânce
Că le-a fost gurița dulce,
Lasă, lasă sa-i mănânce
Că le e gurița dulce.
La crâșmă la Mărioara
Mă duceam în toată seara,
La bordei la Măriuța,
Acolo goleam punguța.
Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Hăi! Hăi!
La bordeiul cel din vale
Îmi ieșea mândruța-n cale,
La bordeiul cel din vale
Îmi ieșea mândruța-n cale,
La crâșmă la Mărioara
Mă duceam în toată seara,
Toată vara am băut,
Cu Mărița am petrecut.
La bordei la Măriuța,
Acolo goleam punguța
Banii toți am cheltuit,
Cu Mărița m-am iubit.
Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Hăi! Hăi!
Mi-am vândut carul cu boi
Să-mi fac banii înapoi,
Mi-am vândut gospodăria
Ca să-mi plătesc datoria.
Aseară și alaltăseară
Am fost la Mărița iară,
Marița mă săruta,
Cu gura mă fermeca.
Și când m-am trezit aseară
Pungulița era goală,
Bănișorii toți i-am dat
Pentru-n dulce sărutat.
La bordei la Măriuța,
Acolo goleam punguța,
Banii toți i-am cheltuit
Pentru o țâră de iubit.
Hăi! Hăi!...
Hăi! Hăi! Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!


At Mary's hovel (At the hovel from the valley)

Heigh-ho! heigh-ho!
At the hovel from the valley
Young girls wasted all my money,
At the hovel from the valley
Young girls wasted all my money.
Let them waste it all away,
For their lips were sweet like honey.
Let them waste it all away,
For their lips are sweet like honey.
All the evenings in a row
I went at Mary's local pub.
There I emptied my money bag,
At Mary's hovel from the valley.
Heigh-ho! heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Heigh-ho! heigh-ho!
At the hovel from the valley
My sweetheart came in my way,
At the hovel from the valley
My sweetheart came in my way,
All the evenings in a row
I went at Mary's local pub.
All summer I drank and partied,
With Mary my time I spent.
At Mary's hovel from the valley
There I emptied my money bag.
All my money to the last,
With Mary being in love.
Heigh-ho! heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Heigh-ho! heigh-ho!
I sold my ox cart and my bulls
To get all my money back,
I sold all my household goods
So that I could pay my debt.
Last evening and the one before
I went at Mary's again,
Mary was kissing me,
And her mouth mesmerised me.
And when I woke up last evening
My money bag was again emptied,
I spent my money yet again
For just only one sweet kiss.
At Mary's hovel from the valley
There I emptied my money bag,
All my money to the last
For just a moment of love.
Heigh-ho, heigh-ho!...
Heigh-ho! Heigh-ho! Heigh-ho! Heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted! 
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Also Spelled: La bordei la Mărioara

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Tuesday, October 30, 2018

October 30, 2018

Cumbia Tempested (USA/Venezuela)

Cumbia Tempested
USA/Venezuela


These notes ©2018, Andrew Carnie. Choreographed and taught by Ira Weisburd.

Music: Pastor López "Tempested"; also can be done to Despacito by Luis Fonsi
Meter: 2/4
Formation: Solo. (4 wall US line dance)
Introduction: start with singing

Bar 1: Rock forward on L (1), Rock back on R (&), Step on L next to R (2) (Mambo forward)
Bar 2: Rock backwards on R (1), Rock forward on L (&), Step on R next to L (2) (Mambo back)
Bars 3-4: repeat bars 1-2 (Mambo forwards and back)
Bar 5: Rock to L on L (1), Step on R in place (&), Step on L next to R (2) (Mambo L)
Bar 6: Rock to R on R (1), Step on L in place (&) Step on R next to L (2) (Mambo R)
Bars 7-8: repeat bars 5-6 (Mambo L and R)
Bar 9: Cross L over R (1), Step on R to R (&), Cross L over R (2), Step R to R (&) (Samba/Voltas R)
Bar 10: Cross L over R (1), Step on R to R (&), Cross L over R (2), (Samba/)
Bar 11: Cross R over L (1), Step on L to L (&), Step R back in place (2) (Sailor/Bota Foga)
Bar 12: Cross L over R (1), Step on R to R (&), Step on L back in place (2)(Sailor/Bota Foga)
Bars 13-16: repeat bars 9-12, with opposite footwork and direction, except on last count (a step on the R), make a 1/4 turn CW to face new wall.

repeat until the end of the music

Other videos on the web







Other sources


  • Weisburd, Ira (n.d.) Electronic Cue sheet
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