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Showing posts with label Lee Otterholt. Show all posts
Showing posts with label Lee Otterholt. Show all posts

Saturday, December 1, 2018

December 01, 2018

Samodiva - Самодива (Bulgaria)

Samodiva
Самодива 
Bulgaria


These notes ©2018, Andrew Carnie. Taught by Lee Otterholt, originally taught (choreographed?)  by Ventzi Sotirov. Samodivas are woodland nymphs. The song is by the popular Bulgarian singer Rayna.

Music:
Meter: 7/8, counted as SQQ
Formation: Open circle, hands in W position, leads to R
Introduction: Start with singing.

Part 1

Bar 1: Cross L over R (S), Lift R knee up in front with a bounce (Q), Bounce (Q)
Bar 2: Step R to R (S), Step on L crossing behind R (QQ)
Bar 3: Step R to R (S), Step L crossing behind R (Q), Step R to R (Q)
Bars 4-6: Repeat bars 1-3
Bars 6-9: Repeat bars 1-3
Bars 10-11: repeat bars 1-2
Bar 12: Step R to R (S), Step L crossing behind R (Q), Lift R leg (Q)
Bars 13-23: Repeat bars 1-11, with opposite footwork and direction
Bar 24: Step L to L (S), Step R crossing behind L (Q), Step L to L (Q)

Note: step starts with L foot free and ends with R foot free

Part 2

Bar 1: Step on R in LOD (S), Čukče on R, while bringing L foot up and through to LOD (Q), Step on L in LOD (Q)
Bar 2: Repeat bar 1
Bar 3: Facing center, čukče on L and pump R foot forward and down (S), čukče on L (Q), Step on R to R (Q)
Bar 4: Cross L over R (S), Rock back in place on R (Q), Step on L next to R (Q)
Bar 5: Step on R in place (S). Čukče on L and swing L around to back (Q), Step on L behind R (Q)
Bar 6: Čukče on L and pump R foot forward and down (S), Čukče on L, swinging R around to back (Q), Step on R behind L (Q)
Bar 7: Step on L to L (S), Step on R quickly behind R (&) Step on L to L (Q), Step on R behind L (Q)
Bar 8: Swing L foot around to the back and step on it behind R (S), Step on R to R (Q), Step on L in LOD (Q)
Bars 9-32: repeat bars 1-8, three more times (4 in all)

Part 3

Bar 1: Facing and moving into the center: Step R (S), L (Q), R (S)
Bar 2: Repeat bar 1, with opposite footwork
Bars 3-4: Repeat bars 1-2;
Bar 5: Step on R into the center (S), lift L up behind R calf (QQ)
Bar 6: Step L backwards out of center (S), Čukče on L, swinging R around to back (Q), Step on R behind L (Q)
Bar 7: Repeat bar 6
Bar 8: Repeat bar 6

Note that part 3 starts with R foot free and ends with L foot free, ready to start part 1 again

Sequence:

Part 1, Part 2, Part 3
Part 1, Part 2, then do bars 1-8 of Part 2 again

Other notes on the web

Other videos on the web

Samodiva (Bulgaria)-Lee.Otterholt from Loretta Holz on Vimeo.


Lyrics

From https://lyricstranslate.com/en/%D1%81%D0%B0%D0%BC%D0%BE%D0%B4%D0%B8%D0%B2%D0%B0-samodiva-nymph.html

Вино съм младо,
младо и буйно,
вино съм силно и руйно.
Пият ме млади,
млади ергени
луди лудеят по мене.
Бяла съм люта
люта ракия
който от мене отпие
той ще забрави
забрави дома си името свое и рода си.

Припев:
Който не вярва - да види
в Пирина нека отиде
дето раснат самодиви,
дето раснат самодиви
като мене все красиви.

2. Вино съм младо,
младо и буйно,
вино съм силно и руйно.
Пият ме млади,
млади ергени
луди лудеят по мене.
Щерка съм лична
лична на Струма
дума на който
на който продумам
с друга не ще се не ще се залюби
себе си той сам ще погуби.

Припев:
Който не вярва - да види
в Пирина нека отиде
дето раснат самодиви,
дето раснат самодиви
като мене все красиви.

Samodiva

Vino săm mlado,
mlado i bujno,
vino săm silno i rujno.
Pijat me mladi,
mladi ergeni
ludi ludejat po mene.
Bjala săm ljuta
ljuta rakija
kojto ot mene otpie
toj šte zabravi
zabravi doma si imeto svoe i roda si.

Pripev:
Kojto ne vjarva - da vidi
v Pirina neka otide
deto rasnat samodivi,
deto rasnat samodivi
kato mene vse krasivi.

2. Vino săm mlado,
mlado i bujno,
vino săm silno i rujno.
Pijat me mladi,
mladi ergeni
ludi ludejat po mene.
Šterka săm lična
lična na Struma
duma na kojto
na kojto produmam
s druga ne šte se ne šte se zaljubi
sebe si toj sam šte pogubi.

Pripev:
Kojto ne vjarva - da vidi
v Pirina neka otide
deto rasnat samodivi,
deto rasnat samodivi
kato mene vse krasivi.Nymph
1. I'm young wine,
young and wild,
I'm rich, red wine.
the young drink me,
unmarried men,
they lose their minds because of me.
I'm clear and hot
hot rakiya*
whomever drinks from me
will forget
his home, his name, and his family.

Chorus:
Those who don't believe - should witness
should come to Pirin
where nymphs are raised
where nymphs are raised
all pretty like me.

2. I'm young wine,
young and wild,
I'm rich, red wine.
the young drink me,
unmarried men,
they lose their minds because of me.
I am the very daughter
of the Struma River.
Those whom I dare speak to
won't fall in love with anyone else
they will ruin themselves.

Chorus:
Those who don't believe - should witness
should come to Pirin
where nymphs are raised
where nymphs are raised
all pretty like me.

Other sources


  • Otterholt, Lee (2018). Samodiva, type written dance notes
Also called: Raina Samodiva (presumably, this is a mistake because Rayna, is the singer)

Friday, November 30, 2018

November 30, 2018

Dojdi Dojdi Libe Le (Bagnoli Version) - Дойди Дойди Либе Ле (Bulgaria)

Dojdi Dojdi Libe Le (Bagnoli Version)
Дойди Дойди Либе Ле
Bulgaria



These notes ©2018, Andrew Carnie. Taught in the USA by Roberto Bagnoli. Also taught by Lee Otterholt. A different version was taught by Ira Weisburd. This version comes from Dilyana Kurdova, who learned it in the Velingrad Region.

Music:
Meter: 7/8 counted as QQS (Roberto notates it as 2/4, and that's what the sheet music linked below says, but it sure sounds like 7/8 to my ears)
Formation: Open circle, hands down in V position. Leads to the R
Introduction: Start with singing

Part 1

Bar 1: Step on R to R (QQ), cross L over R (S)
Bar 2: Step on R to R (Q), cross L over R (Q), Step on R to R (S)
Bar 3: Čukče on R, while lifting L knee (QQ), Step backwards out of circle on L (S)
Bar 4: Closing R foot next to L, bounce on both feet (QQ), Bounce again (S)
Bars 5-8: repeat bars 1-4

Part 2

Bar 1: Hop on L, swinging R across in front low (Q), Step on R across in front of L (Q), Step on L to L (S)
Bar 2: Hop on L, swinging R across in front low (Q), Step on R behind L (Q), Step on L to L (S)
Bar 3: Step on R across in front of L (QQ), hop on R, while swing L low across in front of R (S),
Bar 4: Step on L across R (Q), Run R (Q) L (S) in LOD
Bar 5: Facing center, sway on R to R with a bounce (QQ) bounce again (S)
Bar 6: Sway on L to L, with a bounce (QQ) bounce again (S)
Bar 7: Sway on R to R with a bounce (QQ) bounce again (S)
Bar 8: Sway on L to L with a bounce (QQ) bounce again (S)

Alternate the steps until the end of the music

Other videos on the web

Doydi Doydi Libe Le, Bulgarian dance demo'd by Roberto Bagnoli from Loretta Holz on Vimeo.

Lyrics

From Bagnoli's notes

Dojdi, dojdi, libe le, doma na večera.
Oh, libe le doma na večera.
Libe, libe, libe le doma na večera.
Vrazi Konče, libe le, za vita kalina.
Ta se kači, libe le, gore na čardaci
Ta da vidiš, libe le, mama kak me gali.
Mene gali, libe le, tebe spomenuva.

Come beloved to my house for dinner.
Tie your little horse to the highest rowan berry
Walk up the stairs upon the terrace
To see how my mother coddles me
How she touches me and about you she talks

Sheet Music

Other Sources

  • Bagnoli, Roberto (2018), PDF of dance notes. 

See Also

Also Spelled: Doydi

Thursday, November 29, 2018

November 29, 2018

Mari Kız (Gagauz, Moldova)

Mari Kız
Gagauz, Moldova


These notes ©2018, Andrew Carnie. Originally taught in the USA by Roberto Bagnoli. Also taught by Lee Otterholt. The Gagauz are Turkish speaking people who live outside Turkey in the Balkans.

Music: Stepan Kurudimov, Sular Akar.
Meter: 6/8 (counted as (12)(3)(4)(56) or SQQS
Formation: Open circles, hands down in V position. Leads to the R.
Introduction: 11 bars, no action; start with singing

Part 1: singing

Bar 1: Cross L over R (S), Step on R to R (Q), Close L next to R (Q), Step on R to R (S)
Bar 2: Step on L behind R (S), Step on R to R (Q), Close L next R (Q), Step on R to R (S)
Bar 3: Repeat bar 1
Bar 4: Step on L behind R (S), Step on R to R (Q), Sway on the L to L (Q), Close R next to L, with weight (S)
Bars 5-16: Repeat bars 1-4, three more times

Part 2: instrumental

Bar 1: Step L (S), R (Q), L (Q), R (S) into the center
Bar 2: Step on L into the center (1), hop on L, bring R behind R calf (2), Sway on R to R (3), Step on L to L (4), Cross R over L (5,6)
Bar 3: Step L (S), R (Q), L (Q), R (S) backing away from center
Bar 4: Step backwards on L (S), Sway on R to R (Q), Sway on L to L (Q), Close R next to L with weight (S)
Bars 5-8: Repeat bars 1-4

Repeat alternating parts 1 and 2 until the end of the music (the dance ends on part 1)

Other notes on the web

Other videos on the web





Lyrics

From 2017 Stockton Folk Dance camp syllabus

Mari Kiz
Su bag cotin altinda, 

Mari kiz Gül gül üzümcük
Üzüm mü toplayim, 
Mari kiz Sana mi bakayim?
Sana baka baka, 
Mari kiz, gözüm süzüldü
Versene o al basmani, 
Mari kiz Gözümü sileyim,
Gözümü sildilce sildikge, 
Mari kiz Sana kem bakayim
Seni da bana vermesaydilar 
Deli mi olayim?
Komratimin alcak yollarina 
Köprü mü olayim?
Gelene gecene, 
Mari kiz, seni mi sorayim?
Bildir (gecen sene) turnam biricikti 
Bu yil yes oldu (esi oldu).
Vardi tabir karakasli 
Kime yes oldun


Mary girl
Under the grape leaves, Mary girl Fruited bunches of grapes

Shall I pick up the grapes, Mary girl Or shall I look at you?
Due to too much looking, Mary girl, my eyes get tired.
Give me your red cotton scarf, Mary girl Let me wipe my eyes.
After wiping and wiping my eyes, Mary girl Let me see you again
If they don't give me you, shall I go out of my mind?
Over the lower roads of my Komrad Shall I be a bridge?
To all the passers-by, Mary girl, shall I ask of you?
Last year my crane bird was alone This year she found a mate.
Gone with one with black eyebrows Whose mate are you now?

Also Spelled: Kiz
November 29, 2018

La Bordeiul cel din Vale (Romania)

La Bordeiul Cel Din Vale
Romania


These notes ©2018, Andrew Carnie. Taught and choreographed by Ira Weisburd. Also taught by Lee Otterholt. The song is a humorous ditty about a young man's experience with the girls and money at a local "hovel".

Music:
Meter: 2/4
Formation: Open circle, hands in W position. Leads to the R. Arms bounce gently on each count.
Introduction: 16 bars, start with singing

Part 1: Hora Mare 1

Bar 1: Stepping straight into the center, step R (1), L (2)
Bar 2: Stepping into the center step R (1), touch L next to R (2)
Bar 3: Backing straight out of center, Step L (1), R (2)
Bar 4: Backing straight out, Step L (1), touch R next to L (2)
Bar 5: On the R diagonal, step R (1), L (2) into the center
Bar 6: Continuing in on the R diagonal, Step R (1), touch L next to R
Bar 7: Backing out on the R diagonal Step L (1), R (2)
Bar 8: Continuing backing out step L (1), Touch R next to L (2)
Bars 9-12: repeat bars 5-8

Part 2: Step Scuffs

Bar 1: Cross R over L (1), Scuff L next to R (2),
Bar 2: Step on L in RLOD (1), Scuff R next to L (2)
Bar 3: Step on R across in front of L (1), Step on L to L (2)
Bar 4: Step on R behind L (1), Step on L to L (2)
Bars 5-8: repeat bars 1-4.
Bar 9: Cross R over L (1), Rock back on L (2)
Bar 10: Step on R to R (1), Cross L over R (2)

Part 3:  Walks (Box)

Bar 1: Walk R (1), L (2) in LOD
Bar 2: Repeat bar 1
Bar 3: Step R (1), L (2) into the center
Bar 4: Repeat bar 3
Bar 5: Cross R over L (1), Step on L to L (2)
Bar 6: Repeat bar 5
Bar 7: Step R (1), L (2), backing out of the center
Bar 8: Repeat bar 7

Part 4: Hora Mare 2

Bars 1-10: repeat bars 1-10 of Part 1, Hora Mare, except on the very last count, step on the L instead of touching it.

Part 5: Crossing (instrumental)

Bar 1: Cross R over L (1), Rock back in place on L (&), Step on R next to L (2), pause (&)
Bar 2: Repeat bar 1, with opposite footwork
Bar 3: Cross R over L (1), Rock back in place on L (&), Rock on R to R (2), Rock L in place (&)
Bar 4: Cross R over L (1), Rock back in place on L (&), Step on R next to L (2), pause (&)
Bars 5-8: Repeat bars 1-4 with opposite footwork

Parts 6-10: 

Repeat Parts 1-5 (Hora Mare 1, Scuffs, Box, Hora Mare 2, Crossing)

Parts 11-13

Repeat Parts 1-3 (Hora Mare 1, Scuffs, Box)

Part 14: (Box again)

Repeat Part 3 (Box) again 

Part 15: Hora Mare 1

Repeat Part 1 (Do the full 12 bars of the Hora Mare)

Part 16: Crossing

Repeat part 5

Other notes on the web

Other videos on the web













Lyrics

From: https://lyricstranslate.com/en/nicolae-gribincea-la-bordei-la-m%C4%83rioara-la-bordeiul-cel-din-vale-lyrics.html

La bordei la Mărioara (La bordeiul cel din vale)

Hăi! Hăi!
La bordeiul cel din vale
Mi-au mâncat fetele banii,
La bordeiul cel din vale
Mi-au mâncat fetele banii.
Lasă, lasă să-i mănânce
Că le-a fost gurița dulce,
Lasă, lasă sa-i mănânce
Că le e gurița dulce.
La crâșmă la Mărioara
Mă duceam în toată seara,
La bordei la Măriuța,
Acolo goleam punguța.
Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Hăi! Hăi!
La bordeiul cel din vale
Îmi ieșea mândruța-n cale,
La bordeiul cel din vale
Îmi ieșea mândruța-n cale,
La crâșmă la Mărioara
Mă duceam în toată seara,
Toată vara am băut,
Cu Mărița am petrecut.
La bordei la Măriuța,
Acolo goleam punguța
Banii toți am cheltuit,
Cu Mărița m-am iubit.
Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Hăi! Hăi!
Mi-am vândut carul cu boi
Să-mi fac banii înapoi,
Mi-am vândut gospodăria
Ca să-mi plătesc datoria.
Aseară și alaltăseară
Am fost la Mărița iară,
Marița mă săruta,
Cu gura mă fermeca.
Și când m-am trezit aseară
Pungulița era goală,
Bănișorii toți i-am dat
Pentru-n dulce sărutat.
La bordei la Măriuța,
Acolo goleam punguța,
Banii toți i-am cheltuit
Pentru o țâră de iubit.
Hăi! Hăi!...
Hăi! Hăi! Hăi! Hăi!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!
Banii mei, banii mei,
La Mărița la bordei!


At Mary's hovel (At the hovel from the valley)

Heigh-ho! heigh-ho!
At the hovel from the valley
Young girls wasted all my money,
At the hovel from the valley
Young girls wasted all my money.
Let them waste it all away,
For their lips were sweet like honey.
Let them waste it all away,
For their lips are sweet like honey.
All the evenings in a row
I went at Mary's local pub.
There I emptied my money bag,
At Mary's hovel from the valley.
Heigh-ho! heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Heigh-ho! heigh-ho!
At the hovel from the valley
My sweetheart came in my way,
At the hovel from the valley
My sweetheart came in my way,
All the evenings in a row
I went at Mary's local pub.
All summer I drank and partied,
With Mary my time I spent.
At Mary's hovel from the valley
There I emptied my money bag.
All my money to the last,
With Mary being in love.
Heigh-ho! heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Heigh-ho! heigh-ho!
I sold my ox cart and my bulls
To get all my money back,
I sold all my household goods
So that I could pay my debt.
Last evening and the one before
I went at Mary's again,
Mary was kissing me,
And her mouth mesmerised me.
And when I woke up last evening
My money bag was again emptied,
I spent my money yet again
For just only one sweet kiss.
At Mary's hovel from the valley
There I emptied my money bag,
All my money to the last
For just a moment of love.
Heigh-ho, heigh-ho!...
Heigh-ho! Heigh-ho! Heigh-ho! Heigh-ho!
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted! 
My money, my money,
At Mary's hovel all wasted!
My money, my money,
At Mary's hovel all wasted!
Also Spelled: La bordei la Mărioara

November 29, 2018

Busuiocul (Romania)

Bosuiocul
Romania


These notes ©2018, Andrew Carnie. The title translates as "The Basil". This dance was taught at the Phoenix Folk Dance in November 2018, by Lee Otterholt. It was also taught by Sally Fletcher.

Music: Otterholt Texas Camp 2018
Meter: 2/4
Formation: Open circle, W position, leads R
Introduction: Start with singing.

Part 1

Bar 1: Facing slightly R of center, step R (1), L (&), R (2) all in LOD, stamp L next to R (2)
Bar 2: Repeat bar 1with opposite footwork
Bars 3-4: Repeat bars 1-2
Bars 5-8: Repeat bars 1-4, turning to face LOD on the last bar, and omitting the last stamp

Part 2

Bar 1: Facing center, Step on R to R (1), Close L next to R (&), Stomp (no weight) on R forward into center (2) pause (&)
Bar 2: Repeat bar 1
Bar 3: Step on R to R (1), Close L next to R (&), Step on R to R (2), Close L next to R (&)
Bar 4: Repeat bar 1
Bars 5-8: Repeat bars 1-4

Part 3: (Hora Mare)

Bar 1: Traveling on the diagonal R, step R (1), L (2)
Bar 2: Step on R on the diagonal R (1), Touch L next to R (2)
Bar 3: Backing out on the R diagonal step L (1), R (2)
Bar 4: Step backwards on L (1), Touch R next to L (2)
Bars 5-8: Repeat bars 1-4

repeat dance from the beginning, 3 more times, then do parts 1 and 2, finish part 2 even after the music fades out.


Other notes on the web:



Other videos on the web

Busuiocul (Romania)-Lee.Otterholt from Loretta Holz on Vimeo.

Also Spelled: Bosuiocul, Busiuocul