Ani Mori Nuse (Weisburd Version)Albania/USA
These notes ©2018, Andrew Carnie. Choreographed by Ira Weisburd. Widely taught by Eric Bendix. There is a different dance done to this music that was taught by Lee Otterholt.
Music: There are many recordings of this tune. This choreography only fits this recording: Xenos. Fire in the Feet: https://youtu.be/JiecTT30mF0
Meter: 2/4
Formation: Open circle, hands in W position, leads R
Introduction: 8 bars, no action, start with singing
Part 1: Singing
Bar 1: Facing and walking in LOD, Walk R (1), L (2)Bar 2: Step R forward in LOD (1), Lift L knee high up in front (2)
Bar 3: Bending R knee, Touch L toe to ground (1), straighten knee (2)
Bar 4: Step on L in RLOD (Back up) (1), swing R L around to hook behind R knee (2)
Bars 5-16: repeat bars 1-4 three times.
Part 2: Instrumental
Bar 1: Facing center, Cross R foot over L with a deep knee bend (1), straightening knee, touch L to L side (2)Bar 2: Repeat bar 1 with opposite footwork
Bar 3: Repeat bar 1
Bar 4: Cross L over R, with deep knee bend (1), straightening knee, hook R foot behind L knee (2)
Bars 5-8: repeat bars 1-4, except backing out of the center.
Part 3: Taxim
Bar 1: Touch R toe forward in LOD (1), Leap on to R in LOD (2), step on L next to R (&)
Bars 2-3: repeat bar 1, two more times.
Bar 4: Leap onto R to R, facing center (1), Step on L next to R (2), Step R across over L (3)
Bars 5-8 repeat bars 1-4 with opposite footwork
Bars 9-12: Drop hands, using the same footwork as bars 1-4, tracing a CW circle behind you. Hands are held high and do gypsy ornamentations with hands.
Bars 13-16: Using the same footwork as 5-8, trace a CCW circle
Bars 17-32: repeat bars 1-16
Bar 33: Step R (1), L (2) backing out of circle.
Bar 34: Step R backing out of Circle (1), step on L next to R (2) Step on R next to L (&)
Bar 35: Cross L over R (1), Step on R to R (2), close L next to R with weight (&)
Sequence:
Part 1, Part 2Part 1, Part 2
Part 1, Part 3, Part 2
Part 1
Other notes on the web:
Other videos on the web
Lyrics
from the stockton dance notesAni mori nuse, ani qaf-gastare,
Ani a do ruz-e, ani a do par-e?
As nuk dua ruz-e, as nuk dua par-e,
Por e dua dja-djalin, more me cigare.
Ani a do ruz-e, ani a do par-e?
As nuk dua ruz-e, as nuk dua par-e,
Por e dua dja-djalin, more me cigare.
Ani me cigare, ani me kuti-e,
E me këpucet të zeza, faqe si zotni-e,
Ani more nuse, moj vetull-gjilpan-e,
Ani dil e shih e moj djal-e, moj xhan-e
E me këpucet të zeza, faqe si zotni-e,
Ani more nuse, moj vetull-gjilpan-e,
Ani dil e shih e moj djal-e, moj xhan-e
Translation:
Oh young bride with a throat fine as glass,
Do you want beads, do you want gold coins?
I don’t want beads, I don’t want gold coins,
I want a young man with a cigarette.
Do you want beads, do you want gold coins?
I don’t want beads, I don’t want gold coins,
I want a young man with a cigarette.
With a cigarette, with a cigarette-box,
And with black dress shoes, like a gentleman
Oh bride with brows slender as needles,
Come see your young man, oh dear
And with black dress shoes, like a gentleman
Oh bride with brows slender as needles,
Come see your young man, oh dear
Other sources
- Shannon, Laura (2001) Fire in the feet. Self published
See Also
- Ani Mori Nuse - Otterholt Version - Albania
- This music can also be used for a Čoček.
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